STUDIO DIRECT GROUP SHOW – curated by Amber Creswell Bell
Studio Direct is a unique collecting experience that connects art collectors with artists at the developing stages of their creative careers. There is a focus on quality artworks from promising artists across the country at accessible prices for collectors. Curated by Amber Creswell Bell, Studio Direct will release a new body of work from an emerging artist every month.
To launch to program, we will exhibit a group show of works by the 2019 Studio Direct Artists at Michael Reid Murrurundi. This exhibition is currently showing and will exhibit throughout May. To request a catalogue of works available, please click below:
Skull, one sided Rorschach, 2007
oil on canvas
signed, dated and bears title on the reverse
130 x 140 cm
Acquired directly from the artist
Private Collection, New South Wales
For Ben Quilty, the Rorschach images will continue to represent a significant moment in the career of an artist whose intellectual capacity commands greater and greater presence with each outing. From early showings at GrantPirrie in mid-2000, Ben Quilty’s unabashed use of oil on linen was instantly regarded as a definitive practice. But here, in the inverse print of a skull painted first in signature strokes of neat paint from the tube then swiftly transferred to a clean canvas, the artist reveals a will to consistently interrogate the act of painting itself.
This image has been produced on a scale, more intimate than is usually associated with the artist. Its size allows for a visceral appreciation of the doubled image and the subtle variations that transmute from the right to left side canvas. The skull, in bright silhouette, is a masterful work of texture, its perfectly calibrated palate giving a sense of velocity or explosion of the cranial ridges.
The title of the work “Skull, one sided Rorschach, 2007″ alludes to the well known psychoanalytic tradition of Rorschach inkblots: silhouetted mirror images that are used by the analyst to trigger associative thoughts in their patients. However, this approach to image production also recalls the childhood technique of ‘butterfly paintings’, and the artist has pointed out that “Most young men’s lived experience of Rorschach’s is from making art in kindy, not psychoanalysis.” The skull is a motif returned to time and again by Quilty, his rigorous approach to practice turning its attention to questions of masculinity and mortality, the throes of young nationhood and identity.
Free iPhone Art Viewing App
It was a good client, who on struggling to bring up his latest art acquisition on Smartphone said…” you should build an art collecting App for your clients, a simple one stop showcase spot. It would be bloody helpful”… so we did.
Designed by Aiden McConnell, with input from Joel Warren, Daisy Aylott, my colleagues and I; the free Michael Reid App is an elegant, simple to use, yet sophisticated art viewing App – all images and details are kept on the user’s Smartphone, becoming a private image stockroom for your collection.
An App where you engage one button, to view your collected treasures, modest and grand. An App that has all the necessary art viewing details you need, without clutter. An App that allows you to see the most relevant details pertaining to your artworks, and yet can keep some information such as purchase price, for your eyes only. An app that allows you to share the joy of collecting outside the walls of your home.
This art viewing App, in its own way, illustrates our gallery’s commitment to service; our commitment to best practice; our commitment to developing both new and experienced collectors and to just being – quite frankly – helpful.
In terms of Privacy, again best practice. All information is held on the viewers Smartphone. Nothing is in the Cloud. We see nothing. We share nothing. We are nothing if not helpful.